The Last Resort integrates urban and landscape scenes into a spatially and culturally different context. The series exemplifies the interaction between nature and the space claimed by humans, thereby alluding to current challenges such as climate change or the clash of social orders. In deceptive harmony, the monumental visions present a closed, possibly existing world and leave the question of anticipated future or presence unanswered. They might stimulate reflection on the way we think of the world and our place in it today.
Andreas Kremer, living in Cologne/Germany, began his artistic path after he had worked successfully in business for many years. Never losing touch with photography during the years, 2014 he changed his focus completely to photography as visual art, and hasn’t put down his camera since. In 2019 his first photobook TENSION was published by KERBER Verlag and awarded gold a short time later.
Like in his last project “The Last Resort”, in "Art de Fact", he is using the collage technique in a modern, digital form.
Awards Meanwhile my images were awarded by international photocontests, featured by online magazines as well as exhibited in galleries. For instance at Kolga Photo Award (Georgia), Tokyo, Budapest and Moskau International Foto Awards, The Independent Photographer, IPA International Photography Awards/Px3, Lensculture, L´Oeil de la Photographie, Leica LFI, Esquire, DER GREIF, BBA Gallery, Michael Horbach Stiftung and others.