When I first arrived in Deauville, I didn’t know exactly who I was in
relation to the city – was I tourist? Was I an artist? Was I Romanian?
All I knew is that I was not from there. I came as a stranger; in terms
of anthropology, I represented "the other".
I decided to express the strange–stranger binomial by wearing three
costumes which would cover my whole body. I was able to immerse
myself in various locations of Deauville and interact with them both
physically and emotionally. The beach, the Pompeian baths, the
orphanage, they all seemed exotic to me and perhaps I was just as
exotic to them.
Through my "second skin" I could see only partially, like from within a
veil, the faces of the people who passed by. The costumes made me
both visible and invisible; yet nobody could really see beyond my
opaque skin.