Describing places or situations through its facts, it can become
a web that branches off into the tiniest twigs and all directions.
Like in a thread, associations are interwoven with each other
and become partially absurd. Describing something with
pictures means to collect fragments, lift them from their context
and reassemble them. I am interested not in the immediately
concrete, but in that which can be detached from the given.
Places where contradictions come together. Pictures that
explode the surface.
The beauty of ballerinas makes a lot of girls dreaming of their
life, a world full of mystery and fascination.
But the actual lived stereotype in the self choosen gilded cage in
the theater retrieves desillusioning banalities and routines as
well as psychic hyperesthesia due to powerfull and deep
passions
My work „ No shoes to dance with“ is about the twilight zone of
the in general romantic stereotype of ballett dancers at the
theatre.
The photographed protagonists are involved in their particular
action, at the moment, where they are in between their real life
and their stage life, which makes it easy to read our own stories
into the pictures.
I was looking for pictures which can be read like a written
sentence. These pictures contain real moments which through
tiny changes can become a momentary staging. As narratives
create pictures, arrangements of pictures can create narratives.
From these connected single pictures, a play or a piece of our
time can emerge.
In my work, I look for pictures which contain a kind of theatrical
reality. Not in the form of a drama, but as a staging chanced
upon. Reality works as a setting and a stage of the pictures.
Maybe such pictures can describe a situation for the time being.