‘Domestic Tranquility,’ suggests a paradox and tension between the seemingly solid structures wherein we reside and the illusion of contentment. Although our interior spaces appear to be animated and inhabited, they belie moments of isolation and melancholy.
I draw much of my inspiration from the great ‘noir’ cinematographers; by the paintings of Edward Hopper, whose geometric compositions and solitary figures suggested the vague dark edges in everyday life; and by the 17th century Dutch masters who, with light and shadow, portrayed interior domestic life in their ‘genre’ paintings.