I attempted to use intentional camera movement technique (ICM) to achieve
true impressionist photography at a level seldom reached in the past and also
addressing subjects very difficult to handle in this manner. The resulting
imagery strives for the perfection and harmony of the lines when painting with
the digital sensor.
Fire, as a primordial element, can give rise to shapes both surreal and
abstract. Through further enhancing of the colors, I tried to give the
impression of sculptures of smoke.
One of the defining things that place a photograph as being an artefact
depicting a slice of reality, a copy of reality in a way, is the clarity of the lines
and all the details that resemble the thing actually photographed. I wanted
something different but sincerely straight from the camera. Something that
looks like fantasy but is no Photoshop trick.