The work of Emmanuel Monzon focuses primarily on the idea of urban sprawling and the urban
expansion of its periphery. Monzon photographs urban banality as though it were a romantic
painting, trying only to be “stronger than this big nothing” in controlling the space by
framing the subject. Monzon’s aesthetic of the banal obeys its own rules: a ban on living
objects, a precise geometrical organization, and the revelation of a specific physical and
mental landscape blurring the lines between city and suburb, between suburb and
countryside, a process that results in an independent identity.
This aesthetic of the emptiness in my photographic work attempts to understand our current
environment.
LensCulture Porfolio