In Night & Day I capture the transition from day to night in various locations around the
world. The photos are composed of numerous exposures shot at the same location over the
course of a single day or over several days. I then merge the multiple day, dusk, and
night exposures into a seamless transition which collapses the temporal element and allows
the viewer to see the city in a new way. In preparing each scene I decide where the
transition should begin and end, and in which direction time should flow. I base these
decisions on visual instinct and what looks most natural to me and I often introduce an
element of randomness into the scene by allowing one time to bleed into another. At times
the borders between day and night collide head on, and other times they tiptoe into one
another. It is the details, however, that add a sense of incongruity to the photos and
challenge the viewer to find where one time frame ends and the other begins: traffic light
trails that fade into day on the span of the Brooklyn Bridge, a tourist standing on a
Segway in broad daylight, while just a few feet away the rest stand in darkness, the
glimmering lights of Midtown reflected in the Pond at mid-day. In Night & Day I am
concerned less with capturing the passage of time than capturing the incongruous and
ephemeral nature of time.