“In pursuit of meaning and satisfaction, we are led to grant the aura of life to things
and to drain in from people: we personify objects and objectify persons.
We experience alienation from ourselves as well as from others.
We best comprehend ourselves as social entities by looking at photos of ourselves,
assuming the voyeur’s role with respect to our own images;
We best know ourselves from within in looking through the viewfinder at other people and
things. “
- Martha Rosler
In her recent work, Choo seeks to reflect upon issues of social alienation and isolation
through potential narratives in Everyday scenes. In attempt to reflect upon the function
of the void deck in public housing in Singapore, the resulting image acts as a
documentation of individuals ocupying the spaces.
Incorporating documentary footage taken in various public housing estates around
Singapore, these otherwise independent tableaus were spliced together to form an
unravelling panorama. Each individual featured in the piece was filmed in his or her own
discrete space, as the immediate architectural surroundings make clear, but every scene
occurs in the void deck of an apartment block, with the disconnected footage then sutured
together to achieve the desired effect. The composited panorama ultimately exists as a
non-space; an accumulation of fragments over time.