I explore issues of identity through self-portrayals, in which I assume different guises that comment on gender, sexuality, beauty and logic. I act out various roles by injecting myself into settings that originate with photographs of window displays in New York City. By digitally removing objects, then adding new elements with additional photographs, I highlight the psychological relationship between what we see and what we imagine.
Altering my hair and make-up to create personae from fairy tales, myths, and cinematic moments, I place the self-portrait digitally into the smooth skin of the mannequin. Using my face as a stage for presenting different looks undermines any attempt to fix my image. In some photographs I also become characters who share the fictional narrative with the mannequin. Experimenting with the audience's understanding of photography as a documentation of reality, I catapult myself from the past, where fashion communicated who was in power, to the present where fashion can also be a symbol of pulling down social barriers and overthrowing elitism. The point of the series is to fracture the single, solitary sense of self, to propose identity as multiple projections of invented selves: to discover what makes us human.