For the last three years, I have spent most of my Saturday nights in strip clubs across the USA, photographing and building a rapport with these dancers. Popular perception have long characterized these clubs as dens of depravity, and the reality certainly has some hard edges. We live in the midst of the #MeToo movement, in a time of social introspection. “Dark Angels” is a powerful medium through which viewers can consider not just the fascinating, under-documented American subculture of strippers, but also the range of connotations attached to it and the complexity of their own responses.