The Dance/Memory project is a body of work I began developing
in January 2013 and which I continue to develop. The idea that
inspires the series is grounded in my experience as a dancer and
choreographer. Dance is a fleeting art form, which exists most
fully only in the moment it is being performed. When it is over, we
are left with a subjective, partial impressions of the experience
and as time goes on, our memory of a particular performance may
blur and morph until it becomes a single image or series of images
that define our experience. What is it that we remember, how do
we remember it, and why? Those are the questions I am seeking
to answer in this series. Watch a dance performance; wait a week
or two and what do you remember?
This body of work strives to describe the experience of the
memory of dance. It explores how each of us consciously or
unconsciously selects various moments in the dance, visual
images, or emotional subtext to remember long after the dance
performance is over. What is it in dance that matters?
Since I began photographing dancers for this series in 2013, I have
worked with twenty-three dancers in several styles of dance, both
as small groups and soloists. I created a black box theatre in my
studio by borrowing a dance floor and covering the walls on three
sides with black fabric. Some of the dancers brought prepared
works, others improvised movement based on loose themes,
others were given choreographed material. The main objective
was that they "feel" their work and the music and achieve a sense
of performing with the camera as their audience and witness. In
several cases I photographed dancers outside the studio at
performance or rehearsal sites.