The time dominated by the dark brings about difficulties in
recognizing things and fears of invisible things, which would lead
to a desire to search for the light. To me, light is an existence that
shines the world, and salvation or hope. When the dark, which
makes it difficult to exactly recognize things, comes after daytime,
my behavior begins. When I encountered the time of the dark and
the space where it is difficult to find the source of light, I imagined
an unexpected ray of light, and I combined my active acts to
embody the light and record pictures. Searching for space and
time was a journey that I took to find the truth as a photographer,
and I conducted acts to shine divided and selected spaces. This is
also an exploration of various meanings that the light has, beyond
the acts of simple imagination and reproduction. As a faith in
reality unseen, I tried to prove that my behaviors could be
recorded and memorized through photos, beyond the
reproduction of a moment. Recording and showing things unseen
forever and proving things unseen are what I actually want to show
through photos. It is because I believe purifying and recording
values regarding truth are the very capabilities of photos. When
the truth of pictures is converted by a creative way, result works
made and shot by a photographer are delivered to the public as
real experiences. If realistic ‘reproduction’ of unreality ‘embodied’
at specific time and space by the photographer’s selection, not
through a method that saves and prints only real situations, is
delivered to audiences through pictures, it means that the
reproduction has been ‘converted’ to another figure of ‘reality’, so
the combination of acts and shooting in this work was very
appropriate.