Everton draws upon elements of the folk tale "Sang Tong" to illuminate the fantasy worlds
of each child. Sang Tong—‘the Boy with the Golden Shell’. Derived from an old Thai folk
tale, Sang Tong was born into royalty but abandoned and later adopted by a giantess, who
disguised herself so that the boy would not feel like an outsider. That the children have
themselves been born in Thailand but adopted by families living in Melbourne lends the
series an immense poignancy. The imagery that accompanies each child was chosen by Everton
based on their individual personalities, “I’ve come to know these children and their
families intimately over the past few years through the Sanuk Club, a place where they
meet to play and celebrate their heritage”, says Everton who is herself the mother of an
adopted Thai boy, Chot. “These children live in two worlds. They identify themselves as
Thai but they're also everyday Aussie kids. I wanted to show both the harmony and the
tension between their dual realities.” In a symbolic interweaving of inner and outer
realms Everton creates a mood of transcendence and renascence amidst the cultural
variances. Each image subtly alludes to an individual biography and is titled with the
child’s name.