A series about the architecture of Chicago where I aim to personify my
architectural subjects so I can tell their story. I'm using as a creative
tool the selective blur the tilt-shift lens creates, also the the technique
of daylight long exposure. Using blur in architectural photography
might be counter-intuitive, since we usually make architectural images
as sharp as possible, but I had a reason to do so. The reason I use
blur is to suggest that these buildings, despite being immobile objects
that cannot interact with each other in reality, are able to create
connections in a parallel imaginative world that is suggested by
blurring their edges. This way the boundaries disappear and these
objects can interact with each other, as people do. What I intended
was to look at architecture in a different way and see it as a mirror of
our society and of the way people find to communicate with each other
even in cases when they are stopped by objective boundaries, as
distance, language, culture or social conventions. The blur I use opens
a gate towards our subconscious world, towards our hidden desires
and aspirations, which are the same regardless the differences
between people and provide them the tools to communicate. For me,
this is a way of looking at photography in a different way, seeing it as
(en)Visionography, the name I give to my work, rather than as
traditional photography.